 |
It’s a dream, but devoid of Freudian oneiric implications, a daydream, I would say, due to power of imagination combined with colour’s taste, helping the structure ’s strict attitude, which somehow rules the precise “Abstraction in perspective” conceived “Between architecture and imagination” (as Bruno explains through his pictures’titIes, too).
(Angelo Dragone, Bruno’s chairs, La Stampa, Turin, 18 August 1990)
Facing the many vacant chairs playing the leading role in his pictures, it is natural to think they retain their own emblematic or symbolic value, especially when you note that, here and there, colours are reminiscent of De Chirico’s and perspective is inspired by memories of restless metaphysical compositions.
(Angelo Dragone, Cesare Bruno, Stampa Sera, Turin, 1 March 1972)
|
|
