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For years the chair has been the restless character in Cesare Bruno’s work. Whether long,and narrow, flat or out of proportions, straw-bottomed or wooden, Bruno’s chair showslts disturbing presence under paranormal circumstances, in which fantasy and everyday reality meet in the metaphysical oblivion of a fairy tale.
(Giorgio Sebastiano Brizio,L’ Avanti, 17 June 1979)
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