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In the course of time, art critics and men of letters have given a variety of interpretations to Bruno's chair, ranging from personification, with its implications in dramatic significance, to abstraction and rhythmic scansion of the chair as focal point in the web of striking colours, with possible references to “painterly abstraction” and “pop”. A/so inevitable, in Turin, not to think of Casorati’s magic as well as of frequent cross-references to metaphysical aura.
(Marco Rosci, Final rehearsal, Piemonte Artistico Culturale, Turin, 26 Mai — 14 June 1992)
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