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Other times, taken out of its world, the chair grows higher and higher in Mackintosh ’s paradoxical style, or disassembles and reassembles its structure to create geometrical figures of Pitagorean abstraction. On the whole, a new, odd but suggestive show.
(Marziano Bernardi, Bruno, the italian Mackintosh, La Stampa, Turin, 16 April 1975)
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